Promises of Monsters


She studies this transformation through maps

European perceptions of human diversity


The first part sketches

the processes through

ambivalent space

for aging femininity  of


of the emphasis on the importance of maps



The child then flew into the Pine Barrens, becoming

an emancipated minor. After all, who can speak

for the monster, and in so doing who may be

silenced, and what facilitates a monstrous challenge or defiance

rather than reductive



To turn into waste means to lose worth, significance, or purpose. A later text of Derrida’s can perhaps account for this.


The text is littered with

horror film,

beautiful paintings,              drawings          and photographs,           recognition and acceptance             and       those who do not                  fit

aging,           disability,          and             AD,       books,      and  images,  negative attitudes                monstrous voices and monstrous spaces,  and  both

popular understanding and film.

filled with the poetry of Ursula Le Guin and the storytelling of Donna Haraway.


in          in          in                         in which

a    a    a    a

of  of  of  of


narratives intersect

generate generate generate


her book: a highly original

with on the one hand a, but on the other hand  –


and this integration of different sources

as she states in her introduction

may well be the most and convincing aspect


It is certainly an ambiguous time

It is certainly an ambiguous time

It is certainly an ambiguous time

in shaping  growing  hardening


for the monster

towards –



* This poem is a collage based on the Promises of Monsters special issue (2018, vol. 2, no. 2, edited by The Monster Network), created in an online writing meeting with two of the members of The Monster Network. The material for the collage was chosen with the method of rolling an electronic dice for a) article, b) page, c) sentence. This material (8 sentences) was then edited into a poem; a collective voice, a monster, that emerges from the issue, if you may.

The materials were found from the following texts (listed in random order):

  • E. J. Nielsen’s caption for Figure 20. The Jersey Devil
  • Agnieszka Kotwasińska: “Un/re/production of Old Age in The Taking of Deborah Logan”
  • The Monster Network (Hellstrand et al.): “Promises, Monsters and Methodologies: The Ethics, Politics and Poetics of the Monstrous”
  • Marietta Radomska: “Promises of Non/Living Monsters and Uncontainable Life”
  • Nicola Moffat: “Monstrous Promises: Performative Acts and Corporeality in Mary Shelley’s Frankenstein”
  • Donna McCormack’s review on Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene (Tsing et al.)
  • “Monster Talk: A Virtual Roundtable with Mark Bould, Liv Bugge, Surekha Davies, Margrit Shildrick and Jeffrey Weinstock” (edited by Donna McCormack)
  • Erling Sandmo’s review on (Surekha Davies) Renaissance Ethnography and the Invention of the Human: New Worlds, Maps and Monsters