— Guest post from architects Signe Pērkone and Ramón Córdova –
In July of 2019, the Monster Network was invited to give a keynote at the symposium Monstrous Ontologies: Politics, Ethics, Materiality at the University of Roehampton in London (you can listen to our keynote here). One of the presentations at the symposium was delivered by the architects Signe Pērkone and Ramón Córdova, who talked about how they work with the monster in their own architectural practice. We were intrigued and interested by what we heard, and saw a lot of connections to how we think, work, and write with the monster in the Monster Network. So we asked them if they wanted to write a blog post for us!
In what follows, Signe and Ramón write about their experience working with, amongst other things, a territory occupied by a vast landfill close to the southern border of Mexico. During their talk they showed a video from the landfill, which can be viewed here (password: Ecologies).
Before giving you a chance to explore architecture and the monster, we let Signe and Ramón introduce themselves:
Signe and Ramón are architects and researchers based in Riga, Latvia. They strive to practice architecture as an integral part of the affective and relational lived experience. They have studied, worked and done research in Europe and Mexico, and their work has been presented in various conferences, art exhibitions and publications. They are interested in expanding their practice by intersecting it with other disciplines, and fostering discussion of its becomings and emergence from territories and assemblages of human and non-human components.

Meeting the Monster Half Way
Monster as a Tool for Enriching Spatial Practices
There are territories, places and spaces that after establishing relations with certain agents or in particular conditions become monstrous assemblages in the collective imagination, from slums to squatted buildings, and from crime infested city communities to remote landfills inhabited by migrants. But what does this monstering mean for the places themselves? What does it mean for us, who need to interact with them? Even more, those who deal with spatial disciplines, such as architecture, are often called upon to intervene in these territories, to make sense of them, to “improve” them. However, there is a danger in acting before understanding because, in one way or another, this leads to forced conclusions, filling in the gaps in knowledge with assumptions, and normative faux-solutions. Continue reading “Monstrous architecture”